![]() ![]() Working on monologues as an actor is like using a power-drill for Tradesmen – it’s an essential part of the job! Hence why we strive to provide you with tonnes of monologue resources to help you on your way. ![]() We have a range of contemporary, classical and Shakespearean monologues, as well as monologues from film and TV, for all ages. You see the room to haunt the reader here, poet? Take Plath’s famous, “Daddy”.Here you can find all our monologues for actors, site-wide. These were expertly crafted pieces exploring new territory for English speaking poets: abuse and trauma, depression, personal relationships, mental illness. Young American poets today may think poetry is primarily confessional because of the work these poets were doing the in mid-century-but the confessional genre was not just journaling turned into published books. Put simply, confessional poetry is deeply personal, written from the “I”, and more often autobiographical than not. Particularly, Lowell’s book Life Studies has had a long and large influence on later poets. “The Snowman on the Moor.”įollowing this thread of Sylvia Plath-any excuse to talk more about Sylvia Plath-we must discuss the confessional mode of poetry begun in the 50s and 60s by American poets Plath and Lowell and Sexton and Berryman and Snodgrass. Perhaps more surprisingly, Sylvia Plath knew how to employ gothic techniques and atmospheres as well, i.e. Edgar Allan Poe’s poetry is prime example. Poets can use the tension between sweet and soothing music and disturbing imagery and word choice. These are poets who often take the imagery and soundwork of childhood lullabies to speak of ghosts and ghouls and curses. ![]() Gothic poems are wonderful examples of mood at work. Robert Hayeden built a menacing tone through his speaker’s point of view, muffled as it is behind that KKK hood. The mood of a piece, as a fictioneer might say, is the atmosphere built by specific choices around point-of-view, imagery, rhyme, word choice.ĭramatic Monologues lend themselves to an apprehensive atmosphere as our speaker’s attitude dominates the space. Don’t let prose writers be the only ones to have that fun.Īs we poets try to create poems that spook and scare, we learn to steal as much as we can from our prose sisters. The Dramatic Monologue is a versatile form for a poet to explore the pleasure of building character and dramatic irony into a piece. Edgar Lee Master’s Spoon River Anthology is an immense resource if you’re looking to dive deep as it creates an entire town of characters. See also “Lady Lazarus” by Sylvia Plath, and the haunting “Night, Death, Mississippi” by Robert Hayden. Alfred Prufrock,” defined the modernist anxiety for generations of poets. Eliot’s famous dramatic monologue, “ The Love Song of J. Browning’s poem leans deeply into the inherent horror of the DM as the speaker slowly reveals himself to be an unrepentant murderer. ![]() If you’ve been taught the dramatic monologue in an American high school, it was likely Robert Browning’s “ My Last Duchess,” which introduced the English speaking world to the form in poetry. The reader inevitably puts on their own mask in the reading, and somehow the poet often leaves us feeling complicit & accused. The only voice is the speaker, with an audience implied, assumed, and mute. The poet puts on a persona or character and unleashes a long, uninterrupted monologue. There’s something about a Dramatic Monologue that lends itself to elements of horror and goth and anxiety. Enjoy, and be safe, and scare children with poetry this Halloween. These three terms, Dramatic Monologue, Mood, & Confessional, represent three different invitations to build horror, dread, and menace into our poems. Poetry Terms: Dramatic Monologue, Mood, ConfessionalĬonsidering the nearness of Halloween, this Poetry Terms takes a closer look at the words we use when we talk about poetry that spooks and scares. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |